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Duringashootyou’dmakedecisionsaccordingtowhat’simportantintheshot.Inotherwords,your
choiceindepthoffieldwouldbedeterminedbyyouroutcomesfortheshot.The
cinematographer/directorneedstoaskwhattheshotisbeingcomposedfor;whatpurposeitisto
serve;whatmessageitistogetacross.Variousconnotationscanbeachievedbymanipulatingdepth
offieldinthisway.
3.CameratoObjectDistance
IntermsofDOF:
‐Thecloserthecameraistotheobject,themoreshallowtheDOF.
‐Thefurtherawaythecameraisfromtheobject,thegreatertheDOF.
ASIDE
SHUTTER
Becarefulwhenusingtheshuttertomanipulateyourpicture!
Whatit’sfor:
‐Togetthemaximumamountoflightcomingthroughindifficultlightingsituations.Essentially
playingwiththeshutterisamanipulationoftheframerate.
Howitworks:
‐Thehighertheshutterspeed,thechoppiertheimage,andthelowertheshutterspeedthesmoother
theimage.
Æ
inbothofthesescenarioshavingtheshutterspeedtoohighortoolowcanresultinastrange
picture.
Forexample,toohighashutterspeedcangiveajumpypicture,whiletoolowashutterspeedcan
createasmeareffect(notunlikethefeatherededgeeffectinpost).
FOCUS
Tips:
‐Auto‐focussetting
Æ
thistakesthemid‐pointasthepointoffocus.
Soifyouwanttofocusonaspecificthing,makesureit’sdeadcentre,pushAF,andthat’llbeyour
focus.Thisfocusshouldstayonceyou’vemovedthecamera.