16 Front Of House
A great group of presets crafted for “Front-of-the-House” work, including multi-fx networks, classic
Eventide “Micropitch” thickeners, reverbs, delays, detuners, compressors…all you might need on your
live mixing boards.
1610 Character Shift 1>2 96 2,2
{PM} A simple two voice detuner/shifter with a feedback loop feeding each voice back to the mono input. Each
feedback loop has an integrated slew filter as an effective tool for characterization. Mono in, stereo out.
1611 Eq & Comp + Timer 96 2,2
{EY} A special live preset, designed for conferences with a close time schedule: 2 channels of EQ and compression with
an independent timer function: Enter the desired amount of speech time and hit the 'start' soft key. When the time is over
the back panel relays are switched. (see 'hookup' SOFT KEY) IMPORTANT:Timer has NO effect on audio! Audio chain
includes two bands of parametric EQ plus sweep-able locut filter and linkable soft knee compressor for each channel.
Switch-able in, stereo out.
1612 F Of H Multi 96 || 4,4
1612 F Of H Multi 48 4,4
[GVDK]{PRDM} Multieffects. In1>pitch, in2>delays, in3> vocal reverb, in4> percussion reverb. Pitch + delays stereo out
1+2 reverbs stereo out 3+4. Quad in, stereo out.
1613 KG's ColorHall 96 2,2
[VK]{RE} An unusual percussion reverb, designed specially for live sound. Most features are self-descriptive. There are just
two specials: 1: 3 different earlyrefl. times 2: <diffusion\colour>and<microdly> can color the sound of your verb
HAVE FUN !!! Stereo in, stereo out.
1614 L<->R Long 96 2,2
{DY} L<->R tap tempo delay, optional switch-able to R<->L entered delay time (max 3000 mS) is the same for each
channel, feedback controlis located at the end of the L-C-R chain. Optional ducker reduces the output level when input
occurs, when the input stops the full effect occurs. Mono in, stereo out.
1615 L>detune / R>reverb 96 2,2
{PRDM} Left input : 2 voice shifter right input: tap tempo reverb size relation refers to early reflection density in relation
to the reverb decay shifter is also summed to the rev input. Dual mono in, stereo out.
1616 L_C_R Long 96 2,2
1617 L_C_R Short 96 2,2
{D} A typical L-C-R delay, optionally switch-able to L-R. Entered delay time (max 660 mS) is the amount for each
channel, a feedback control is located at the end of the L-C-R chain. Optional gate reduces the output level when no
input occurs, at short delay times great to thicken up a voice, e.g. reverb. Mono in, stereo out.
1618 MicroPitch (+/-) 96 2,2
{PM} Four voice micropitch grouped in sets of two, plus and minus the cents value & spread in stereo. Stereo in, stereo
out.
1619 Saxomaniac 96 || 2,2
1619 Saxomaniac 48 2,2
{PME} One reverse shifter and a phaser in series per channel - tuned for sax A feedback loop allows you to create weird
delays that can be panned as well. The phaseshifter at the end of the signal chain might add even more craziness than
you are looking for- so switch it on ! ! Stereo in, stereo out.
1620 2 Voice Vox Reverse 96 2,2
[V]{PME} Two reverse shifters with a feedback loop feeding each voice back to the mono input. Tuned for vocals. There is
also a phase shifter at the end of the signal chain, modulated by two LFOs. Mono in, stereo out.
1621 4 Reverbs (FoH) 48 4,4
[GVDK]{R} Four stereo reverbs with diffusion, fedby each input. In1 > Verb1 (Hall1) > outputs 1&2. In2 > Verb2 (Hall2) >
outputs 1&2. In3 > Verb3 (Room1) > outputs 3&4. In4 > Verb4 (Room2) > outputs 3&4. On/Off switching for each
verb is provided. Quad mono in, dual stereo out.
The H8000 Presets Collection
Release 1.2 Page 40 of 109 12/30/2003
